This interpretation of Coppélia is set in a cybernetic laboratory specialised in artificial intelligence, where Doctor Coppélius is attempting to create a female android that moves and acts like a human. Against a backdrop of futuristic sets the Víctor Ullate Ballet clothes this classic in a new, bouncy and colourful fairytale wardrobe. Recorded live at the Opera Royal du Chateau de Versailles, 2013.

Peggy Van Praagh directs Coppélia, a ballet by Arthur Saint-Léon inspired by Hoffmann’s haunting short story The Sandman. The story narrates the adventures of Swanilda (played by the sublime Ako Kondo) and Franz (the majestic Chengwu Guo), two lovers put to the test by the magician Dr. Coppelius, a manufacturer of automaton dolls. In Van Praagh’s production, Franz falls under the spell of Coppélia, the daughter of the ill-intentioned Coppelius. Swanilda manages to save her fiancé from a sinister fate, and the two lovers marry and seal their union with a tender pas de deux. The magnificent décor of the Sydney Opera House, the sumptuous costumes by Kristian Fredrikson, and the highly theatrical nature of the ballet and the music by Léo Delibes make it easy to be swept away into this magical world!

With music by Delibes, Frantz the photographer is trapped by the terrible Dr. Coppelius who intends to use him in his experiments to bring to life the clockwork doll Coppélia.

Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppélia is not what she seems and Swanhilda decides to teach Franz a lesson… The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.

This delightful ballet tells the story of Dr Coppelius, an eccentric toymaker, who attempts to bring life to his beautiful doll Coppélia. He is foiled by the mischevious Swanilda, who masquerades as Coppélia and saves her love, Franz, from the Doctor's magic. Recorded live at the Sydney Opera House, this acclaimed production by Dame Peggy van Praagh, the founding Artistic Director of the Australian Ballet, is a triumph.

A classic returns to the Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia– a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family.

Four brilliant PhD students in a cutting-edge AI program navigate intense scientific, ethical, and personal challenges as they confront both technological dilemmas and the complexities of growing into adulthood.

Fictional story based on Sarah Bernhard's visit to Brazil in 1905. The actress, experiencing a personal and professional crisis at the time, is induced by her personal Brazilian maid, Amélia, to make a performance in Rio de Janeiro. After arriving, she is forced to stand the company of Amélia's exotic sisters.

Emília Vášáryová. We know her face from newspaper and magazine covers and movie posters, yet we know so little about her. For more than sixty years, she has helped shape modern Czech-Slovak theater, film, and television, but only a few of her colleagues know the sources of her creative efforts. The film takes viewers on a journey through time, allowing them to understand the context of the actress's life and artistic endeavors.

Emilia is a 17 year old who just finished high school and now works at the local gas station. She has the dream of becoming a professional ballerina, but has never had the courage to leave everything and try. One day she finally gets the chance to audition for the last ballet company still standing in Portugal. She will have to decide whether she should try and risk failing miserably or carry on with her comfortable life, without purpose.